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Collecting LGBTQ Cultural History & Memorabilia
Since the Stonewall Riot in June of 1969, there has been a growing interest in LGBTQ social history as is describe here in the Queer History Social Media Project of the Society of American Archivists.
The Queer History Social Media Project is an initiative aimed at bringing the skills a…
1930s Movie Posters – Dreams For Sale
1930s movie posters proclaimed, week after week, what Hollywood had to offer to an eager world during the days of the great movie studios and the Great Depression. No better example of this is the above exquisite 1932 vintage original Belgian poster of Marlene Dietrich in Shanghai Express.
The Be…
Shooting The Stars – The Golden Age of Hollywood Portraiture
Hollywood Portrait Photography came into existence at the beginning of the 20th Century, following the relocation of the film industry from the east coast to Hollywood. These fledgling studios needed to create interest in their motion pictures by promoting the actors who stared in them. From 1910…
Walter Reuben Catalog 42|2018
As an addition to our WalterFilm.com website, we are delighted to announce that Walter Reuben Inc. has expanded its marketing profile to include a portfolio of catalogs that will consist of exceptional items, as exampled above. This first catalog in this series (#42/2018) is 126 pages and encompa…
Curating A Business
WalterFilm is in the business of providing our clients, both private collectors and institutions, with the finest selection of original vintage movie posters, movie star photos, lobby cards, movie scripts & rare books and Hollywood movie memorabilia. We also deal in sub-specialties of theater…
Vintage Original Lobby Cards | THE CABINET OF DR. CALIGARI
| Walter Reuben | Featured, Lobby Cards, Movie Memorabilia, Vintage Original Horror Film Photographs, WalterFilm
These two vintage original lobby cards from THE CABINET OF DR. CALIGARI (1920), show the extraordinary detail and design that went into the visual creation of what is considered the quintessential work of German Expressionist cinema. As described by the film critic, Roger Ebert, in his review:
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