One of WalterFilm’s website “Collections” is titled “Hollywood Movie Memorabilia.” And while the term Memorabilia has a simple definition, “objects treasured for their memories or historical interest”, it doesn’t quite define or describe what Walter’s Hollywood Movie Memorabilia offers.
Walter Film recently acquired a remarkable collection of studio portraits of some of the major stars of Pre-Code Hollywood. These oversized black-and-white double weight glossy silver gelatin portraits of the following:
June is LGBTQ Pride Month, and in this blog, we’re looking at how it’s place in society has evolved since it burst into being on the evening of June 28,1969, resulting from a police raid on a dingy bar on Sheridan Square in New York’s Greenwich Village.
The Stonewall Inn was infamous for its drag queens, hustlers and older gentlemen looking for a little action in its very dark, very intense back room. Of all the places one would not expect a riot to break out… this was the place. But what transpired that evening has become legend because a bunch of drag queens protested when the police entered and started to hassle the patrons. Their response was that of a bar full of angry homosexuals, who took off their high heels, their wigs and said no – and a riot ensued, and a movement was born.
On June 28th of the following year, thousands of homosexuals and their friends from across the country and around the world assembled at the Stonewall and marched up 5th Avenue to Central Park where they commemorated their decision to say, enough is enough. That Gay Day of Pride became a reality and has grown into the world-wild, LGBTQ Pride Month celebration.
AN IGNORANT EPIDEMIC
As time rolled on, gay men began to suffer and die a grueling, tortious death. And as those numbers exploded, it was clear the homosexual population was experiencing a world-wide epidemic with no end in sight. Governments ignored that reality, and it took the men and their friends, who marched every year on Pride Day, to protest and demand that something must be done. The response was slow, and many continued to suffer and die, but the AIDS epidemic was eventually brought under control – but not without a staggering sacrifice. However, what it did do was to force the government and the populus to acknowledge that the LGBTQ community has a right to exist and to be treated with respect like any other member of society.
RESPECT ENSHRINED IN LAW
That respect carried over with the result that a law was passed guaranteeing the LGBTQ community’s right to live their lives and to love and marry who they chose regardless of the sex.
THE LADY IS A MAN
While the LGBTQ community is now acknowledged and enshrined in law, there was still a certain element that had not received the same recognition and respect it was due, the “drag queen” which, in many circles was a derogatory description of men who like to dress as women.
RuPaul, now known as “America’s Drag Queen,” became a force unto himself and changed the concept of drag queen forever.
Born, Andre Charles, November 17, 1960, in San Diego, he studied performing arts in Atlanta, before relocating to New York City, where he became a popular fixture on the LGBT nightclub scene. He achieved international fame as a drag queen with the release of his debut single, “Supermodel (You Better Work)“, which was included on his debut studio album Supermodel of the World (1993). He promoted himself to become a television personality, actor, singer, producer, and writer.
“Arguably the most commercially successful drag queen in America,” according to Sami Main of Adweek, who credits him with creating wider exposure for drag queens from LGBT culture into mainstream society, thanks to his early chart topping success, and later, the successive climb in viewership of RuPaul’s Drag Race. His talk show The RuPaul Show was the first-ever national talk show to have a drag queen as a host. Along with his partner Michelle Visage, he welcomed an array of high-profile guests such as Cher, Lil Kim, and Diana Ross over the show’s 100-episode span. As well as having a variety of comedy skits, the show was noted for discussing topics such as black empowerment, female empowerment, misogyny, and liberal politics that were otherwise unheard of in 1990s television. In 1999, RuPaul was awarded the Vito Russo Award at the GLAAD Media Awards for work in promoting equality in the LGBT community.
RuPaul has also been noted as having a large part in RuPaul’s Drag Race‘s continuous television success. By pioneering queer representation on television, many believe RuPaul to have essentially revolutionized the portrayal of the LGBTQ+ community on screen. He first won an Emmy for his work on the show in 2016, and one year later the show garnered eight nominations, including Outstanding Reality-Competition Program for the first time in its 11-season run, and a second consecutive win for RuPaul in the Primetime Emmy Award for Outstanding Host for a Reality or Reality-Competition Program. In 2017, he was included in the annual Time 100 list of the most influential people in the world. In 2019, Fortune noted RuPaul as “easily the world’s most famous” drag queen. And his success and influence has not stopped.
As the photograph of Katharine Hepburn above signifies, this is a collection of lesbian and bisexual women in film, theater and music. It spans a full century, starting with Maud Adams in 1901 and working its way up through a Chantal Akerman film of 2004.
This archive has three components:
PART ONE deals with 67 lesbian and bisexual women in film, theater and music. It contains actresses and singers, but also includes LBTQ women whose books were adapted to film. We have, in most cases, provided biographical information about these women’s lives. In a few cases, where the historical record is unclear, we have listed a few women as subjects for future historical research.
It is necessary to understand that, in most cases, lesbian and bisexual women faced huge societal taboos until late in the 20th century. Arranged, so-called “lavender marriages” with gay men provided a safe façade that allowed them to continue their careers without fear of a disclosure that could spell ruin for their life’s work. There were, however, some actresses who disdained social convention—such as Tallulah Bankhead, Patsy Kelly and Alla Nazimova—but most of the women archived here found it mandatory to keep their private lives completely masked from the prying eyes of the public.
Here is a partial list of those stars, singers and writers who, in addition to the lives they created on the silver screen were abliged to do the same at home.
Judith Anderson
Maud Adams (1982-1953)
Judith Anderson (1898-1992)
Eve Arden (1908-1990)
Jean Arthur (1900-1991)
Dorothy Arzner (1897-1979)
Tallulah Bankhead (1902-1968)
Sarah Bernhardt (1844-1923)
Billie Burke (1884-1970)
Claudette Colbert (1903-1996)
Katharine Cornell (1893-1974)
Joan Crawford (Ca. 1904-1908–1977)
Dolores Del Río (1904-1983)
Marlene Dietrich (1901-1992)
Jodie Foster (B. 1962)
Greta Garbo (1905-1990)
Janet Gaynor (1906-1984)
Lesley Gore (1946-2015)
Katharine Hepburn (1907-2003)
Judy Holliday (1921-1965)
Janis Joplin (1943-1970)
Veronica Lake (1922-1973)
Harper Lee (1926-2016)
Mary Martin (1913-1990)
Hattie Mcdaniel (1893-1952)
Barbara Stanwyck (1907-1990)
PART TWO is about representation of lesbian and bisexual women in film and theater. This consists of films and plays portraying LBTQ women but, as far as we know, written by and featuring non-LBTQ women and men.
PART THREE is a brief final section of photos of actresses in nonbinary clothing from the early part of the 20th century.
Except as noted, photos are approximately 10 x 8″, scripts and press kits are quarto, pressbooks are folio. Condition varies in a collection of this size but is overall very good or better.
This archive consists of: 1,560 photos 26 film and television scripts 14 pressbooks programs 20 posters 9 flyers
This makes for a total of 1,629 pieces in the archive, which is being offered for $60,000.00.
> A number of scarce movie scripts, among them THE SPY WHO CAME IN FROM THE COLD (1964), THE WILD BUNCh (1968), THELMA AND LOUISE (1990), and THE SHAWSHANK REDEMPTION (1992).
> An entire section devoted to the career of preeminent queer filmmaker Kenneth Anger, including a script for his unrealized film THE GNOSTIC MASS (2002).
> A substantial group of vintage photos of musicians, including Bob Dylan, Count Basie (a wonderful early portrait, inscribed and dated 1942), Ornette Coleman, Jimi Hendrix, Sun Ra, Freddie Mercury, Lou Reed, and Thelonious Monk
> A section containing portraits of Marilyn Monroe, Audrey Hepburn in BREAKFAST AT TIFFANY’S (1962), and Anna May Wong.